“Aida,” which premiered in 1871 at Cairo’s Khedivial Opera House, tells the story of ... A pair of exciting dance sequences choreographed by Oleg Glushkov broke up a staging that otherwise ...

In “Aida,” Blue said ... Hernández reports on classical music, opera and dance in New York City and beyond. More about Javier C. Hernández A Blue Man Group Farewell: Over 34 years, the ...

At the Royal Ballet and Opera, the issue is doubled. Gone are the pyramids and Tutankamun call-backs and in comes sets (by ...

Yes, Blue said—“Aida,” at the Met Opera. Her companion added that Blue ... “Eusexua,” the Dance-Floor Album That Doesn’t Need Berlin or Prague On her new record, FKA Twigs both engages ...

It was Peter Gelb, general manager of New York Metropolitan Opera. The principal tenor singing the role of Radamés in the Met’s new staging of Verdi’s “Aida” was fighting a virus.

"When you look at the history of Grand Opera, you see a lot of operas that are set in exotic locales," he said, citing "Aida" along with "Madama Butterfly," set in Japan, and "Turandot," set in ...