Horror has always had it rough at awards campaigns. The Substance is only the seventh only horror film nominated for Best ...

We’ve all heard the old cliche, “Man is the greatest monster.” Screenwriters deploy it to shock the audience or make a larger ...

He is an avid record collector and streaming music enthusiast. Credentials Ty was nominated for Best New Journalist at the Australian IT Journalism awards, but he has only ever won one thing.

This blossomed into a full-time tech analyst position in 2021, where I lend my personal insight on the matters of web hosting, streaming music, mobile apps, and video games.

Sundance: Grace Glowicki’s sophomore feature boasts genuine production ingenuity. The rest will certainly appeal to someone. The in-studio backdrop all but demands bountiful creativity from ...

Lugosi was then cast as the monster in Frankenstein, also set to be released in 1931, and once again had his own ideas. He wanted to make the monster a hairy abomination. “Lugosi thought his ...

We get the resistance to streaming. You're paying not to own music, just rent it. And physical media is so much better in so many ways – sound quality, tactility, artwork, a deeper connection with the ...

Next year will see two takes on Frankenstein with rival claims on our attention. Guillermo Del Toro is making what he calls a “Miltonian tragedy” version for Netflix, with Oscar Isaac as ...

director James Whale’s Frankenstein from 1931. It looks like we have not seen the last of these homages with the upcoming release of The Bride! Just by hearing the title alone, you can probably ...

Frankenstein‘s cautionary tale of nature tampering and the irresponsible unleashing of the dead body composite creature in a world he never made has proved an enduring story of morbid pathos, further ...