Discovery feature funding provides awards of up to £1,000,000 for projects with debut directors and a production budget of £3,500,000 and below Impact feature funding provides awards of up to ...

Do short story adaptations make better films than novel adaptations? Ahead of the release of a new film of Stephen King’s The Monkey, we look at 10 of the best.

Sweden, Jon Blåhed’s engaging debut about a doomsday cult’s increasingly unhinged hijinks is undermined by its controlled, conventional style.

With narration by Maya Hawke, Alex Ross Perry’s three-hour video essay about the role of video shops in popular culture frames them as sites of pleasure, pain and potential.

The newly remastered 1975 cult classic starring British rock band Slade will be back in cinemas and released on Blu-ray for the first time in May.

When Renée Zellweger first appeared on UK screens as Bridget Jones, critic Leslie Felperin was impressed by her fine comic timing in a film that ‘slips down as easily as Chardonnay’.

Producers can apply for between £5,000 and £25,000, for stand alone fiction short films in live action, animation or immersive/virtual reality, that have directors based in England. If your director ...

In his trademark ‘chunky wonky’ stop-motion animation style, Adam Elliot again finds beauty in unbearable bleakness with Grace, a troubled hoarder of snail memorabilia.

In 1952, the Sight and Sound team had the novel idea of asking critics to name the greatest films of all time. The tradition became decennial, increasing in size and prestige as the decades passed.

UK/Ireland box office generates £979 million, with Wicked the biggest film of 2024 and Back to Black leading the UK independent chart.

In the week of Valentine’s Day and the kickoff of the Berlin Film Festival, we go looking for the locations of the most romantic of all Berlin films: Wim Wenders’ soaring tale of angelic love and ...

With Japan’s first full-colour film, Carmen Comes Home, screening around the UK, we dive into the luminous world of Japanese colour filmmaking in the 1950s and early 1960s.