2019年4月5日 · I have Googled on how to record in HLG or F-Log, but found nothing. I first thought that it is a movie mode or film simulation setting, but I can't find it on the camera. Could someone explain to me how to record in HLG or F-Log, what settings should I use?

2021年5月6日 · Fujifilm provides LUT that will help you to quickly turn a log image into a usable Eterna color profile based video; Fujifilm’s latest cameras have F-Log assist that will load a profile in to help dial in your capture settings giving you a Rec. 709 preview; If you are using an external recorder you can load LUTs onto the recorder

2020年4月30日 · The ACES Rec.2020 IDT in Resolve defines both color space primaries(including white point) and gamma. It uses the gamma specified in ITU-R-REC BT.2020, you can see that in the screenshot I gave bellow. This means using the Rec.2020 IDT and then using the F-log to Gamma 2.4 setting is wrong.

2022年2月11日 · In the color editor, select your clip (s) and right click > Input Color Space > Fujifilm F Log. This will give you the full-color profile and a great point to work with for stretching the DR.

2023年3月16日 · In this article, we’ll explore different methods for color grading Fujifilm F-Log footage in Davinci Resolve, including using official technical LUTs, color space transform, ACES, and Davinci Resolve color management.

2023年2月14日 · I am looking for some help and tips for the best Project Settings (Camera Raw settings, Color Management etc.) to color grade and correct F-Log footage. I have a Fuji X-T4 and a MacBook Pro M1 Max with DaVinci Resolve 18 Free.

This is a pack of 3D LUTs that allows you to apply Fujifilm Film Simulations to F-Log footage when you work in ACEScct color space. These LUTs only modify color, they don't change the overall tone curve of the chosen ODT.

2022年12月10日 · It doesn't recognize FLog by itself though so you have to manually set the input color space in the media pool. I really don't know what to do here. I have Fuji F-Log footage to grade, and I want to start off by setting my Color Management to give me a somewhat…

F-Log in the HDMI output and recordings from a FUJI camera is scaled to the entire code value range from 0-1023, whereas in a grading system F-Log is mapped to the floating point 0-1 range, which is then often scaled to 64-940 for SDI output.

6 天之前 · So, when I edit a clip shot in log (I use a Fuji X-T4 with Fuji Log gamma) and setup a color managed workflow, by the time I see it in the timeline, it’s already normalized, right? (At least it should, somehow I still have to right click on the clip in the color page and select “Project default” under Input color space).