Feb 5, 2025 · The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

Jan 30, 2025 · The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

Dec 5, 2023 · The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

Nov 25, 2024 · Love was in the air Saturday night at Carnegie Hall, as the Royal Concertgebouw Orchestra, led by its chief conductor designate Klaus Mäkelä, cast its penetrating spotlight on two late-Romantic works rooted in forbidden passion.

A first-rate cast brings the romance and heartache to Met’s “Bohème” – Nov 15, 2024 With over 500 performances, even a crowd-pleasing production like Franco Zeffirelli’s La […]

Aug 1, 2024 · The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

The Classical Review was founded in March 2010 by music critic Lawrence A. Johnson to establish a single, one-stop online source for classical music coverage.

Nov 17, 2024 · Petrenko brought Korngold’s symphony on his last U.S. tour with the Berliners, and he has clear affection for this music, shaping a gorgeous gauzy opening to the second movement and marshaling blasts of brassy exuberance during the finale. If, in the final analysis, this concerto lacks a cohesive musical argument, it boasts a ton of gorgeous moments, and Beilman and the orchestra made the ...

Jun 10, 2023 · One Response to “Chicago Symphony musicians shine in a resplendent Mahler farewell with Hrůša ” Posted Jun 11, 2023 at 2:49 pm by Claude M. Weil. I have been attending CSO concerts since the days 0f Desire Defauw and it hardly needs to be said that any any performance of Mahler’s 9th would be on my agenda.

Jan 10, 2024 · The spirit of Brahms, a composer whom Hough describes as writing music that has “a heart as well as a head,” also infuses the work. He specifically cites Brahms’s skill with counterpoint and his tight structural approach, as well his ability to “turn themes upside down.”